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2017

Armidale Catholic Precinct Soundtrail

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Multiple locations
60 minutes
free
Sound walk

A piece by Lee Herden & Sharon Cook. The Catholic Precinct Soundtrail is a geo locative audio walk and meditation of one of Armidale’s most loved historic sites. This comes to us through the eyes (and ears) of a group of gifted young Aboriginal kids who herald from across the Armidale Catholic diocese, from as

A piece by Lee Herden & Sharon Cook.

The Catholic Precinct Soundtrail is a geo locative audio walk and meditation of one of Armidale’s most loved historic sites. This comes to us through the eyes (and ears) of a group of gifted young Aboriginal kids who herald from across the Armidale Catholic diocese, from as far as Walgett to Tenterfield. These kids (dubbed Wii Gaay kids – Kamilaroi for clever kids) were given fee rein of the place and after figuring out how to use the digital recorders and microphones and the right questions to ask, they went forth: interviewing principles and Fathers and local historians, playing the cathedral organ and opening and closing confessional doors. Starting in Central Park and finishing outside St Mary’s school, this soundtrail takes in 160 years of history, the Bishops, the whispers of confession and the Ursuline convent – formerly an enclosed order. Just as importantly, it attests to the ongoing relationship between the Armidale Catholic diocese, the local Aboriginal families who lived in East Armidale and the broader Armidale community. It mixes voices, prayer, song, story, Gregorian chant and even rap into the recognisable signature of the Soundtrails audio walks. The Catholic Precinct Soundtrail is a feast for the ears. Go forth and discover!

Join an Open walk on the morning of Sunday 1 September 2019.

Credits

Hosted by: Soundtrails (The Story Project ltd)

APA style reference

Herden, L., & Sewell, H. (2017). Armidale Catholic Precinct Soundtrail. walk · listen · create. https://walklistencreate.org/walkingpiece/armidale-catholic-precinct-soundtrail/

Lee Herden

 
Hamish Sewell

Hamish Sewell

(Australia) 

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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